Concept Formation in Computational Creativity
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Abstract
Concept Formation in Computational Creativity
Giovanni Lion
Abstract
1
Introduction
1.1
Technology and creativity
1.2
Concepts and machines
1.3
Two approaches to creative machines
1.4
Societal impact
1.5
Thesis summary
2
Literature review
2.1
Concepts
2.2
Technology and creativity
2.3
Summary
3
Methodology
3.1
Technological mediation
3.2
Creativity theories
3.3
Practitioner research
3.4
Studies overview
4
Study: Music
4.1
Scope
4.2
Collaboration in practice
4.3
Method
4.4
Results and discussion
5
Study: Images
5.1
Scope
5.2
Collaboration in practice
5.3
Method
5.4
Results and discussion
6
Study: Text-to-image
6.1
Scope
6.2
A clash of paradigms
6.3
Stable Diffusion
6.4
Method
6.5
Results and discussion
6.6
Limitations and further research
7
Discussion
7.1
Datasets curation
7.2
Language as interface for concepts
7.3
Blurring human and non-human creativity
8
Conclusions
8.1
Research summary
8.2
Post-phenomenology of creativity
8.3
Limitations
8.4
Further research
9
Supplement to the literature review
9.1
Scopus search retrieval
9.2
GPT categorization prompt
9.3
Top cited paper and their research question
10
Questionnaire items and details
References